December 20, 2012
Modern Wisdom from Ancient Minds
PJ Media
The Tragic View
Of course we can acquire a sense of man’s predictable fragilities from religion, the Judeo-Christian view in particular, or from the school of hard knocks. Losing a grape crop to rain a day before harvest, or seeing a warehouse full of goods go up in smoke the week before their sale, or being diagnosed with leukemia on the day of a long-awaited promotion convinces even the most naïve optimist that the world sort of works in tragic ways that we must accept, but do not fully understand.Yet classical literature is one of the oldest and most abstract guides to us that there are certain parameters that we may seek to overcome, but must also accept that we ultimately cannot.
You Can’t Stop Aging, Nancy
Take the modern obsession with beauty and aging, two human facts that all the Viagra and surgery in the world cannot change. I expect few readers have endured something like the Joe Biden makeover or the Nancy Pelosi facial fix (I thought those on the Left were more inclined to the natural way? Something is not very green and egalitarian about spending gads of money for something so unnatural). Most of you accept wrinkles, creaky joints, and thinning hair. Oh, we exercise and try to keep in shape and youthful, but a Clint Eastwood seems preferable looking to us than a stretched and stitched Sylvester Stallone.
The Greek lyric poets, from Solon to Mimnermus, taught that there is nothing really “golden” about old age. That did not mean that at about age 50-70 one is not both wiser than at 20 and less susceptible to the destructive appetites and passions — only that such mental and emotional maturity come at the terrible price of a decline in energy and physicality. When I now mow the lawn or chain saw, in about 10 minutes a knee is sore, an elbow swollen, a back strained — and from nothing more than a silly wrong pivot. Biking 100 miles a week seems to make the joints more, not less, painful. At 30 going up a 30-foot ladder was fun; at near 60 it is a high-wire act. There is some cruel rule that the more it is necessary at 60 to build muscle mass, the more the joints and tendons seem to rebel at the necessary regimen.
The ancients honored old age, as the revered Gerousia and the Senate attest, but on the concession that with sobriety came far less exuberance and spontaneity. I suppose old Ike would never had mouthed JFK’s “pay any price” to intervene and oppose communism. Yet we must try to stay competitive until the last breath, if not with our bodies, then with our minds — like old blabbermouth Isocrates railing in his 90s, or Sophocles writing the Oedipus at Colonus (admittedly not a great play) well after 90. Cicero’s De Senectute reminds us that knowledge and learning can bridge some of the vast gap between the age cohorts. I remember an 80-year-old woman in one of my Greek classes who palled around with the 20-somethings; apparently when they were all reading Homer, they all forgot trivial things such as looks and age — at least for the ephemeral two hours they were reading The Iliad. (One young man after a class said, “She looks good in jeans.”)
In terms of relative power, the Greeks and Romans felt that youth often trumped wisdom, at least in the sense that the firm 21-year-old held all the cards with her obsessed 50-year-old admirer. When I sometimes read of the latest harassment suit that involved consensual adult sex involving an “imbalance in power,” I wonder what a Petronius, who wrote about crafty youth using their beauty to incite and humiliate the foolish aging, would think. Was Paula Broadwell really a victim in a “power imbalance”? Over the decades I have seen a number of adept young graduate students who fooled silly old goats (often the same nerds that they were in high school) into consensual relationships that aided their careers, but then, when the benefits were exhausted, they moved on, only to define themselves as victims as the need arose. A Greek would laugh at that idea of victims and oppressors.
As far as beauty goes, what is so attractive about either the perfect Stepford wives’[1] look or the starved model appearance [2]? From red-figure vase painting to Rubens, Western tastes have appreciated curves, not lines. Where did the new beauty profile come from that is abnormal and usually achieved only through surgery: 5’10” females, weighing 120 lbs., with micro-waists and huge breasts and rears, as if more than 1% of the population is born that way? Ovid also reminds us that, on occasion, a blemish can mesmerize the beholder, in the way perhaps Cleopatra’s ample nose incited Caesar and Antony. I used to find the actress Sandy Dennis’s[3] uncorrected overbite appealing in the way I don’t find today’s oversized, bleached, spot-lighted, and perfectly capped choppers inviting. A mole for the Greeks should not be removed. The classics remind us that a small defect is no defect at all. Forty years ago, I once knew an undergraduate with a scar running across her chin, maybe six inches in length, and a few millimeters wide. It was hypnotic. And what happened to the classical emphases on voice, comportment, grace, and gesture as ingredients of beauty? Have they simply fallen by the wayside in our boobs/butt obsessed popular culture? Are there voice or posture classes anymore, or has it become all liposuction and implants?
Hoi Aristoi/Polloi
Admittedly, classical literature is aristocratic, at least in the sense that the well-read and learned had more money than those whom they often wrote about. But that said, it is striking how frequently over a thousand years of Greek and Latin masterpieces arise words like “mob” (ochlos) and “throng” (turba) to describe the herd-like desire for entitlements without worry as to how they were to be funded. Virgil (vulgus vult decipi, ergo decipiatur) and Horace (Odi profanum vulgus et arceo) would assume that even the Wall Street Journal is not read at Super Wal-Mart. (But be careful: at a local electric motor shop, the two Hispanic mechanics/owners once asked me how I would rate Peter Green’s Alexander the Great[4] — and then cited four other biographies — while I was waiting to have a motor rewound.)
Alexis de Tocqueville put forth a thesis that American democracy had a chance because the small-scale entrepreneur (see above) and autonomous, self-reliant agrarian were not so prone to the Siren-calls of the European mob. He felt that we in American would not perhaps follow the model of the fourth-century Athenian dêmos or imperial Roman vulgus that flocked to the cities for the dole, and hated the wealthy the more they taxed them (don’t think Obama will be happy with just raising rates on “millionaires”) — as if the ability to pay high taxes was always proof of the ability to pay even more. Tocqueville derived that pessimistic view from Aristotle whose best democracy was a politeia — rule by owners of some property, who were largely agrarian and self-reliant, and did not expect subsidies from others. Classics, then, teach us to beware a situation when 47% of the population do not pay income taxes and nearly half of us receive federal and state subsidies. Perhaps we should go over the cliff so that the 53% all understand the burdens of higher taxes to subsidize the 47% who pay no income taxes. If we hike taxes on those who make over $1 million a year, then cannot we not insist that everyone pays at least $500 per year in federal income taxes — to appreciate that April 15 is not Christmas?
In that regard I now often think of Solon’s seisachtheia, the “shaking off” of debts by those small farmers of Attica burdened from having to pay 1/6th (or so scholars still believe) of their produce to their creditors — or the Messenian helots who were obligated to give ¼ to ½ of everything they produced to their Spartan overlord. Yet at this point, with a looming 40% federal tax rate, 12% California tax [5], returning payroll and higher Medicare taxes, and the new Obamacare hit, millions would prefer the oppressive take of classical serfdom to the present 55-60% of their income grabbed by the state. The new American helots, after all, will fork over sixty percent of their almond crops to the IRS, build six out of ten houses for their government, drive their trucks until July for Washington — and write thirty PJ weekly columns a year for Obama. The Tea Party might have been better named the Helot Party.
Stasis
I was thinking of the class strife in Sallust’s Conspiracy of Cataline the other day as well; I used to teach it and the Jugurthine War in third-year Latin. In my thirties I never quite understood the standard hackneyed redistributionist call of the late Roman republic for “cancellation of debts and redistribution of property!” But recently I reread Sallust with a new awareness — in the context of all the talk of mortgage forgiveness, credit card forgiveness, student loan forgiveness, wealth taxes, and new estates taxes. The subtext of those Catalinian platforms, of course, is that someone else was culpable for having enough money in the first place (rather than prudence, character, dutifulness, etc.) to pay what he had borrowed — and therefore as atonement should pay for others who were defrauded by the system.
In the Roman state, those who borrowed unwisely periodically needed a clean slate — paid for by those who mostly did not, albeit always dressed up in the sense of the noble poor and the rapacious rich. “Pay your fair share,” “fat cat,” “you didn’t build that,” “at some point you’ve made enough money,” etc. are right out of the demagoguery so brilliantly chronicled by Aristophanes, Plutarch, and Sallust. Debt relief and redistribution were not quaint classical topoi, but inherent in the human condition. For now our would-be Gracchus in the White House seems a lot more like a Publius Claudius Pulcher (author of the expansion of the grain dole), an upscale elite who chose demagoguery as the best route to power, fame, influence, and riches — and who can’t finish a sentence without blasting “millionaires and billionaires” as the source of all our woes. How did it happen that those in government, with higher than private sector salaries, with access to free perks, with better than normal pensions and benefits, so often talk about the need for higher taxes without anyone replying that they were selfish in asking the worse off to subsidize the better off?
The Golden Mean
One theme sort of resonates through classical literature. Character consists of moderation, of avoiding hubris and thereby escaping nemesis. Character is formed through balanced behavior, from the trivial of not overeating, oversleeping, and overdrinking (“glutton,” “sloth,” and “drunk” have disappeared from the American vocabulary, though they were ubiquitous in Western languages for the last 2500 years), to being humble in success and resilient in humiliation and defeat as well. But here is the warning: the good man — whether Ajax or Socrates — should expect — perhaps even welcome? — the disdain of the crowd, and usually will not win acclaim or receive what he deserves in this life. (Achilles finally came to accept that.)
Once upon a time in Hollywood, great directors grasped that, and so in their versions of The Iliad or the Sophoclean play — think Shane, Ride the High Country, High Noon, The Searchers, The Man Who Shot Liberty Valance — the man with character, if not killed, rides off into the sunset alone, glad to be free of those he saved. We don’t like our George S. Pattons and Curtis Lemays[6], at least until we are faced with the Waffen SS and the Japanese imperial military. Today, Marshal Will Kane might be dubbed a “loser,” or Ethan Edwards as “obsessed.”
Whatever character is, it was not Susan Rice’s recent letter/op-ed bowing out of consideration for nomination to the office of Secretary of State. Instead it was Euripidean projection, Pentheus-style, as she alleged politicization and cheap partisan distraction on the part of her critics, even as she unleashed a pattern of obfuscation of her own and race/gender pandering from her supporters.
Ave atque Salve
I was given a great gift to have been a student of classics, to have lived on a farm, and to have had a father who was nobly self-destructive in the Ajaxan sense (on his Selma gravestone reads Sophocles’ chiastic aphorism, “live nobly, or nobly die”). He practiced an archaic code that won him admiration, but made his job, his career, and his life almost impossible, whether over Tokyo in a B-29, or on a tractor, or in the Byzantine labyrinth of junior college administration, at which he excelled with his colleagues and students, but was deemed too eccentric by his administrative superiors. When I came home at 26 puffed up with a PhD, he met me in the driveway and said “The shed needs new shingles,” a not too subtle reminder right out of Hesiod that with intellectual progress can come moral regress.
One of the great, though inadvertent gifts of the Obama administration has been to remind us that the Rhodes Scholarship, the Harvard Law degree, the Stanford PhD, the Princeton BA mean, well, nothing much at all, if not perhaps a suspicion that a lot of intellectual branding and grandstanding came at the expense of two years on a tuna boat, or a year picking apples, or four summers at Starbucks, or of anything to remind the young genius that he was not so smart after all, and that character is not created by getting an award or being stamped by an unworldly elite institution.
In this age of Obama and a corrupting equality of result, we must continue to speak out, with dash and style, with the knowledge that most of our peers prefer sameness and mandated equality to freedom and liberty, if the latter result in inequality. But at least we are not alone; the best of the ancient world nods with us.
And that is the point, is it not — to keep the ancient faith and so welcome rather than fear the popular anger of the age?
The Tragic View
Of course we can acquire a sense of man’s predictable fragilities from religion, the Judeo-Christian view in particular, or from the school of hard knocks. Losing a grape crop to rain a day before harvest, or seeing a warehouse full of goods go up in smoke the week before their sale, or being diagnosed with leukemia on the day of a long-awaited promotion convinces even the most naïve optimist that the world sort of works in tragic ways that we must accept, but do not fully understand.Yet classical literature is one of the oldest and most abstract guides to us that there are certain parameters that we may seek to overcome, but must also accept that we ultimately cannot.
You Can’t Stop Aging, Nancy
Take the modern obsession with beauty and aging, two human facts that all the Viagra and surgery in the world cannot change. I expect few readers have endured something like the Joe Biden makeover or the Nancy Pelosi facial fix (I thought those on the Left were more inclined to the natural way? Something is not very green and egalitarian about spending gads of money for something so unnatural). Most of you accept wrinkles, creaky joints, and thinning hair. Oh, we exercise and try to keep in shape and youthful, but a Clint Eastwood seems preferable looking to us than a stretched and stitched Sylvester Stallone.
The Greek lyric poets, from Solon to Mimnermus, taught that there is nothing really “golden” about old age. That did not mean that at about age 50-70 one is not both wiser than at 20 and less susceptible to the destructive appetites and passions — only that such mental and emotional maturity come at the terrible price of a decline in energy and physicality. When I now mow the lawn or chain saw, in about 10 minutes a knee is sore, an elbow swollen, a back strained — and from nothing more than a silly wrong pivot. Biking 100 miles a week seems to make the joints more, not less, painful. At 30 going up a 30-foot ladder was fun; at near 60 it is a high-wire act. There is some cruel rule that the more it is necessary at 60 to build muscle mass, the more the joints and tendons seem to rebel at the necessary regimen.
The ancients honored old age, as the revered Gerousia and the Senate attest, but on the concession that with sobriety came far less exuberance and spontaneity. I suppose old Ike would never had mouthed JFK’s “pay any price” to intervene and oppose communism. Yet we must try to stay competitive until the last breath, if not with our bodies, then with our minds — like old blabbermouth Isocrates railing in his 90s, or Sophocles writing the Oedipus at Colonus (admittedly not a great play) well after 90. Cicero’s De Senectute reminds us that knowledge and learning can bridge some of the vast gap between the age cohorts. I remember an 80-year-old woman in one of my Greek classes who palled around with the 20-somethings; apparently when they were all reading Homer, they all forgot trivial things such as looks and age — at least for the ephemeral two hours they were reading The Iliad. (One young man after a class said, “She looks good in jeans.”)
In terms of relative power, the Greeks and Romans felt that youth often trumped wisdom, at least in the sense that the firm 21-year-old held all the cards with her obsessed 50-year-old admirer. When I sometimes read of the latest harassment suit that involved consensual adult sex involving an “imbalance in power,” I wonder what a Petronius, who wrote about crafty youth using their beauty to incite and humiliate the foolish aging, would think. Was Paula Broadwell really a victim in a “power imbalance”? Over the decades I have seen a number of adept young graduate students who fooled silly old goats (often the same nerds that they were in high school) into consensual relationships that aided their careers, but then, when the benefits were exhausted, they moved on, only to define themselves as victims as the need arose. A Greek would laugh at that idea of victims and oppressors.
As far as beauty goes, what is so attractive about either the perfect Stepford wives’[1] look or the starved model appearance [2]? From red-figure vase painting to Rubens, Western tastes have appreciated curves, not lines. Where did the new beauty profile come from that is abnormal and usually achieved only through surgery: 5’10” females, weighing 120 lbs., with micro-waists and huge breasts and rears, as if more than 1% of the population is born that way? Ovid also reminds us that, on occasion, a blemish can mesmerize the beholder, in the way perhaps Cleopatra’s ample nose incited Caesar and Antony. I used to find the actress Sandy Dennis’s[3] uncorrected overbite appealing in the way I don’t find today’s oversized, bleached, spot-lighted, and perfectly capped choppers inviting. A mole for the Greeks should not be removed. The classics remind us that a small defect is no defect at all. Forty years ago, I once knew an undergraduate with a scar running across her chin, maybe six inches in length, and a few millimeters wide. It was hypnotic. And what happened to the classical emphases on voice, comportment, grace, and gesture as ingredients of beauty? Have they simply fallen by the wayside in our boobs/butt obsessed popular culture? Are there voice or posture classes anymore, or has it become all liposuction and implants?
Hoi Aristoi/Polloi
Admittedly, classical literature is aristocratic, at least in the sense that the well-read and learned had more money than those whom they often wrote about. But that said, it is striking how frequently over a thousand years of Greek and Latin masterpieces arise words like “mob” (ochlos) and “throng” (turba) to describe the herd-like desire for entitlements without worry as to how they were to be funded. Virgil (vulgus vult decipi, ergo decipiatur) and Horace (Odi profanum vulgus et arceo) would assume that even the Wall Street Journal is not read at Super Wal-Mart. (But be careful: at a local electric motor shop, the two Hispanic mechanics/owners once asked me how I would rate Peter Green’s Alexander the Great[4] — and then cited four other biographies — while I was waiting to have a motor rewound.)
Alexis de Tocqueville put forth a thesis that American democracy had a chance because the small-scale entrepreneur (see above) and autonomous, self-reliant agrarian were not so prone to the Siren-calls of the European mob. He felt that we in American would not perhaps follow the model of the fourth-century Athenian dêmos or imperial Roman vulgus that flocked to the cities for the dole, and hated the wealthy the more they taxed them (don’t think Obama will be happy with just raising rates on “millionaires”) — as if the ability to pay high taxes was always proof of the ability to pay even more. Tocqueville derived that pessimistic view from Aristotle whose best democracy was a politeia — rule by owners of some property, who were largely agrarian and self-reliant, and did not expect subsidies from others. Classics, then, teach us to beware a situation when 47% of the population do not pay income taxes and nearly half of us receive federal and state subsidies. Perhaps we should go over the cliff so that the 53% all understand the burdens of higher taxes to subsidize the 47% who pay no income taxes. If we hike taxes on those who make over $1 million a year, then cannot we not insist that everyone pays at least $500 per year in federal income taxes — to appreciate that April 15 is not Christmas?
In that regard I now often think of Solon’s seisachtheia, the “shaking off” of debts by those small farmers of Attica burdened from having to pay 1/6th (or so scholars still believe) of their produce to their creditors — or the Messenian helots who were obligated to give ¼ to ½ of everything they produced to their Spartan overlord. Yet at this point, with a looming 40% federal tax rate, 12% California tax [5], returning payroll and higher Medicare taxes, and the new Obamacare hit, millions would prefer the oppressive take of classical serfdom to the present 55-60% of their income grabbed by the state. The new American helots, after all, will fork over sixty percent of their almond crops to the IRS, build six out of ten houses for their government, drive their trucks until July for Washington — and write thirty PJ weekly columns a year for Obama. The Tea Party might have been better named the Helot Party.
Stasis
I was thinking of the class strife in Sallust’s Conspiracy of Cataline the other day as well; I used to teach it and the Jugurthine War in third-year Latin. In my thirties I never quite understood the standard hackneyed redistributionist call of the late Roman republic for “cancellation of debts and redistribution of property!” But recently I reread Sallust with a new awareness — in the context of all the talk of mortgage forgiveness, credit card forgiveness, student loan forgiveness, wealth taxes, and new estates taxes. The subtext of those Catalinian platforms, of course, is that someone else was culpable for having enough money in the first place (rather than prudence, character, dutifulness, etc.) to pay what he had borrowed — and therefore as atonement should pay for others who were defrauded by the system.
In the Roman state, those who borrowed unwisely periodically needed a clean slate — paid for by those who mostly did not, albeit always dressed up in the sense of the noble poor and the rapacious rich. “Pay your fair share,” “fat cat,” “you didn’t build that,” “at some point you’ve made enough money,” etc. are right out of the demagoguery so brilliantly chronicled by Aristophanes, Plutarch, and Sallust. Debt relief and redistribution were not quaint classical topoi, but inherent in the human condition. For now our would-be Gracchus in the White House seems a lot more like a Publius Claudius Pulcher (author of the expansion of the grain dole), an upscale elite who chose demagoguery as the best route to power, fame, influence, and riches — and who can’t finish a sentence without blasting “millionaires and billionaires” as the source of all our woes. How did it happen that those in government, with higher than private sector salaries, with access to free perks, with better than normal pensions and benefits, so often talk about the need for higher taxes without anyone replying that they were selfish in asking the worse off to subsidize the better off?
The Golden Mean
One theme sort of resonates through classical literature. Character consists of moderation, of avoiding hubris and thereby escaping nemesis. Character is formed through balanced behavior, from the trivial of not overeating, oversleeping, and overdrinking (“glutton,” “sloth,” and “drunk” have disappeared from the American vocabulary, though they were ubiquitous in Western languages for the last 2500 years), to being humble in success and resilient in humiliation and defeat as well. But here is the warning: the good man — whether Ajax or Socrates — should expect — perhaps even welcome? — the disdain of the crowd, and usually will not win acclaim or receive what he deserves in this life. (Achilles finally came to accept that.)
Once upon a time in Hollywood, great directors grasped that, and so in their versions of The Iliad or the Sophoclean play — think Shane, Ride the High Country, High Noon, The Searchers, The Man Who Shot Liberty Valance — the man with character, if not killed, rides off into the sunset alone, glad to be free of those he saved. We don’t like our George S. Pattons and Curtis Lemays[6], at least until we are faced with the Waffen SS and the Japanese imperial military. Today, Marshal Will Kane might be dubbed a “loser,” or Ethan Edwards as “obsessed.”
Whatever character is, it was not Susan Rice’s recent letter/op-ed bowing out of consideration for nomination to the office of Secretary of State. Instead it was Euripidean projection, Pentheus-style, as she alleged politicization and cheap partisan distraction on the part of her critics, even as she unleashed a pattern of obfuscation of her own and race/gender pandering from her supporters.
Ave atque Salve
I was given a great gift to have been a student of classics, to have lived on a farm, and to have had a father who was nobly self-destructive in the Ajaxan sense (on his Selma gravestone reads Sophocles’ chiastic aphorism, “live nobly, or nobly die”). He practiced an archaic code that won him admiration, but made his job, his career, and his life almost impossible, whether over Tokyo in a B-29, or on a tractor, or in the Byzantine labyrinth of junior college administration, at which he excelled with his colleagues and students, but was deemed too eccentric by his administrative superiors. When I came home at 26 puffed up with a PhD, he met me in the driveway and said “The shed needs new shingles,” a not too subtle reminder right out of Hesiod that with intellectual progress can come moral regress.
One of the great, though inadvertent gifts of the Obama administration has been to remind us that the Rhodes Scholarship, the Harvard Law degree, the Stanford PhD, the Princeton BA mean, well, nothing much at all, if not perhaps a suspicion that a lot of intellectual branding and grandstanding came at the expense of two years on a tuna boat, or a year picking apples, or four summers at Starbucks, or of anything to remind the young genius that he was not so smart after all, and that character is not created by getting an award or being stamped by an unworldly elite institution.
In this age of Obama and a corrupting equality of result, we must continue to speak out, with dash and style, with the knowledge that most of our peers prefer sameness and mandated equality to freedom and liberty, if the latter result in inequality. But at least we are not alone; the best of the ancient world nods with us.
And that is the point, is it not — to keep the ancient faith and so welcome rather than fear the popular anger of the age?
URLs in this post:
[1] Stepford wives’: http://www.imdb.com/title/tt0073747/
[2] starved model appearance: http://www.eonline.com/news/372033/bikini-shot-of-the-day-alessandra-ambrosio-sizzles-in-st-barts
[3] Sandy Dennis’s: http://www.imdb.com/name/nm0006800/?ref_=fn_al_nm_1
[4] Alexander the Great: http://www.amazon.com/gp/product/0520071662/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=0520071662&linkCode=as2&tag=pjmedia-20
[5] 12% California tax: http://moelane.com/2012/12/17/calfornia-democrats-about-to-get-their-equivalent-of-the-111th-congress/
[6] Curtis Lemays: http://frontpagemag.com/2009/jamie-glazov/lemay-the-life-and-wars-of-general-curtis-lemay-by-jamie-glazov/ ©2012 Victor Davis Hanson